1993 solo live music for the theatermafia berlin:
"der seufzer am ende der leiter"
1994-96 guitar with the irish folk band
"green leaves in autumn"
1995-97 guitar with the chanson/worldmusic band "combo bandit", lead by torsten griesbach
1993-2002 guitar in all the long story of my band "buckelbeats", cooperating with the berlin independent filmers nine o_clock pictures

1996-2002 working together with rainer kirchmann,
co-founder of the famous east german band "pankow". playing on his soundtracks for "wer anhaelt stirbt" (with corinna harfouch) and "calls" by soeren voigt.

1997 "die aula" by hermann kant, a reading directed by frank panhans at the theater unterm dach. later there another reading: "hungrige herzen" by michael wildenhain. both time i was reading a character and supplying the live music.

1998 solo live music for "elisabeth, schicksalsjahre einer koenigin" by michael freundt at the acud-theater berlin, i.a. with ela zorn, christian leonard and coco ruch (stage and costume design)

2001 "p-town allstars", a band formed by members of several bands from berlin-pankow, was invented for a few months to play i.e. with rakatak, together with a huge horn section. after recordings at the SAE school, the song "big mama" becomes the audio snapshot of the project.

2001 working with joerg ehlert aka nootropika on his electronical pieces, releases on jazzanova/sonar kollektivand on iron curtain revisited

2002 on the occasion of the "zirkumferenz 2002" , the band "trio centrifugal" has been founded. first aim is a piece to transform the figure of Pi into music, more original compositions of the players follow. collaboration with DJ nootropika, 2003 recording of the cd "circus sinus" containing live and studio tracks. taiko saito (japan) plays vibraphone, anders grop (sweden) plays double bass.

2003 "spring in the blue couch", a folkrock band where i played drums, together with erlend jegstad (norway, guitar and vocals), anne bunckenburg (berlin, percussion and vocals), david taylor (wales, bass). miraculously we played in many of liverpool's hottest venues: cavern club, bar hannah's, the masque and zansibar. no money at all, but good vibrations with the strong songs of e.j.

2003 participation in several final projects of LIPA graduates:
- percussion on "eleggua" by kathrin bigler and philipp moll (music), a dance theatre piece about the cuban santeria culture
- guitar on "obscenes", a cabaret show by sabine bickel and bence vagi, music by dominik schirmer, guest cast gabor farkas
- solo-percussion on "animal", directed by stuart nicoll
- solo-percussion on "the pit and the pendulum"
by e.a.poe, physical theatre performance directed by ramesh meyyappan, staged mainly for deaf people